In the absence of any clearly expressed style trends in contemporary easel art the labels of "realism", "impressionism" or even "primitivism" are easily stuck on the product of creative work by authors who often haven't even thought of such "scientific" perception of their paintings. The recognizableness and the presence of historical analogies, though they arise by an evident stretch, now are to set at rest many "consumers of the beautiful".

There are exceptions, though, – this is when genuine inner kinship happens in art, the one that comes not from studying the creative work of a great or simply well-known predecessor and the following funny stylization of one's own art works. The painting plastic of the canvases, the choice of motifs and plots make one recall the aesthetics of the first third of the last century.